By Colm McCall
For many movie fans the Coen Brothers can be as polarising as sweet or salty popcorn. In the vast majority of cases, we prefer the latter. In some instances however, the intriguing prospect of something different takes control. And in my experience, I am usually left disappointed, scratching my head, wondering why one would ever consider detouring from the cinematic norm?
The convoluted plot focuses mainly on a Hollywood producer Eddie Mannix, played by Josh Brolin (Gangster Squad 2013) in his bid to keep tabs on an eclectic group of movie stars. He must do his upmost to lure the parasitic press away from the scandalous behaviour of his clients. In his attempt to do so, a plethora of absurd activity ensues. All the while, Eddie must balance not only the conflicted lives of the performers but his own rapidly diminishing personal life.
This writer/director duo are undeniably renowned filmmakers, whom are beloved by millions worldwide. But is reputation alone enough to be subsistent in the present day entertainment environment? In my opinion- definitely not, for this film isn’t really made for any sort of substantial audience. The subject matter is far too niche for mass numbers to be enthralled or even interested. I’d like to think that I’m somewhat well versed in film and there were times in this movie when I was very bored. Granted there are a few humorous moments, to which include a side splitting encounter between Ralph Fiennes (In Bruges 2008) and Alden Ehrenreich (Stoker 2013). But for something primarily billed as a comedy, the laughs are almost as dry as an old keg.
I do not understand why directors feel they must hijack a picture and put themselves to the forefront. The story, which should be the most integral aspect of any film, is inexcusably lacking in coherency. So much so that even successfully summarising the film’s plot was a task in itself! Tonally inconsistent throughout, here we have a perfect example of a movie being ‘all style and no substance’.
Whilst people may be attracted to Hail, Caesar! on the basis of its star studded ensemble cast, I would implore casual film fans to steer clear of this Coen creation. Aficionados of the silver screen should by all means give it a shot, but disappointed you may very likely be. Despite blending recognisable characteristics akin to successes Trumbo (2015) and L.A Confidential (1997), few will be keen to revisit this one in a hurry. The best aspect of the entire flick is Josh Brolin, who carries the show all the way through. It probably is his best performance to date, credit where credit is due.
My message to the Coens and Tarantinos of the cinematic universe is not to dilute one’s creativity to achieve universal acceptance but instead make films for people who want to be entertained and escape at the movies. Tone down the agendas and oblique satire and refrain from making something so niche that it significantly reduces the potential audience. In the final act, one audience member prematurely left the theatre and I cannot entirely blame him. I did appreciate some elements of the Hail, Caesar!, but I can very easily see why many would detest it.
Hail, Caesar! scores 5/10 on the MACmeter.
